Painting in the Twentieth Century, Volume 1 |
Contents
Preface | 9 |
Preface to the German Edition | 10 |
The Turning Point in | 15 |
Copyright | |
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Abstract Expressionism abstract painting Abstraction-Création achieved aesthetics American Analytical Cubism arabesque artists Bauhaus became began Berlin Blaue Reiter Born Braque Camden Town Group Carrà Cézanne Cézanne's Chirico classical conception construction Cubism Dada decorative defined Delaunay Derain developed dream dynamic early elements European evocative exhibition experience expression Expressionism Fauves Fauvism feeling figures formal forms Franz Marc French Futurists Gallery Gauguin geometrical German Gogh Gris harmony human ideas images Impressionism Impressionist influence inner Italian Italy Juan Gris Jugendstil Kandinsky Kandinsky's Klee landscapes Léger living lyrical magical Marc Matisse Max Ernst metaphors mind Miró modern art Mondrian motif movement Munich Nabis nature object organised Orphism painters Paris Paul Klee Picasso pictorial picture Pittura Metafisica planes poetic primitive psychic realism reality realm reflected representational Romantic Seurat space spirit Stijl structure studied style surface Surrealism Surrealist Symbolist symbols took Toulouse-Lautrec transformed unconscious visible vision visual world of things York