Eugene O'Neill, Three Plays: Mourning Becomes Electra, The Iceman Cometh, Long Day's Journey Into Night : a CasebookNormand Berlin |
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Page 17
... never just lives in terms of character . I'm always acutely conscious of the Force behind - Fate , God , our biological past creating our present , whatever one calls it - Mystery certainly and of the one eternal tragedy of Man in his ...
... never just lives in terms of character . I'm always acutely conscious of the Force behind - Fate , God , our biological past creating our present , whatever one calls it - Mystery certainly and of the one eternal tragedy of Man in his ...
Page 26
... never - Finish 2nd draft feel drained out have been working morning , afternoon and night every day , without a single let - up worked so intensively over such a long period as I have on this damn ' trilogy - wish now I'd never ...
... never - Finish 2nd draft feel drained out have been working morning , afternoon and night every day , without a single let - up worked so intensively over such a long period as I have on this damn ' trilogy - wish now I'd never ...
Page 162
... never was a substantial reality . Her quest is for a hope lost , a goalless search for salvation never to be attained . The men around Mary are condemned as she is to hopeless questing . Her husband like Con Melody is both poet and ...
... never was a substantial reality . Her quest is for a hope lost , a goalless search for salvation never to be attained . The men around Mary are condemned as she is to hopeless questing . Her husband like Con Melody is both poet and ...
Contents
General Editors Preface | 9 |
Comment by ONeill | 21 |
Commentators on the 1931 Production | 32 |
Copyright | |
13 other sections not shown
Common terms and phrases
achieved actors Aegisthus Aeschylus Agamemnon American artist audience Bradford Dillman Brant brother characters Christine Clytemnestra confession damned dead death despair drama critic dramatist emotions Eugene O'Neill extract from chapter Ezra fate father feeling final ghost Greek guilt Harry Hope's hate hatred Haunted Hickey Hickey's Iceman Cometh illusions Jamie Jamie's Jason Robards John José Quintero Joseph Wood Krutch Journey Into Night kinship Larry Slade Larry's Lavinia lives Long Day's Journey Mannon Mary Mary's mask meaning modern monologue morphine mother Mourning Becomes Electra murder never O'Neill's plays Orestes Orin pain Parritt past performance permission play's Plays of Eugene playwright poet present production psychological puritanism realisation reality saloon says scene seems sense Shakespeare SOURCE speech St John Ervine Stark Young story Strange Interlude suicide T. S. Eliot talk tells theatrical theme things tragedy tragic trilogy truth Tyrone Tyrone's University words writing York