Style and Idea: Selected Writings of Arnold Schoenberg

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University of California Press, 1984 - Biography & Autobiography - 559 pages
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One of the most influential collections of music ever published, Style and Idea includes Schoenberg’s writings about himself and his music as well as studies of many other composers and reflections on art and society.

 

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Contents

Translators Preface
14
2
23
5
37
6
56
7
78
9
95
23
242
8
289
3
400
4
447
6
472
II
481
I
491
3
499
6
505
Sources and Notes
513

9
295
12
312
I
319
4
326
7
387
I
393
6
528
Appendices
537
THEORY AND COMPOSITION
541
3
553
Copyright

Other editions - View all

Style and Idea: Selected Writings of Arnold Schoenberg
Arnold Schoenberg,Leonard Stein
Limited preview - 1984
Style and Idea
Arnold Schoenberg
Snippet view - 1951

Common terms and phrases

able already appear artist beauty become believe better Brahms called certainly composer composition considered consists construction counterpoint criticism demands doubt effect English everything example exist expression fact feeling forced future give given hand harmony human idea important interest kind lack later least less living longer look Mahler manner material matter means measures melody merely method mind movement musician natural never notation notes once one's opera organization original PAGE performance perhaps personality phrase piano piece play possible present problems produce progress published Quartet question reason relation relationship remain respect Schoenberg seems sense shows sound String style success Symphony teaching technique theme theory thing third tonality tones true understand Wagner whole write written

About the author (1984)

An American of Austrian birth, Arnold Schoenberg composed initially in a highly developed romantic style but eventually turned to painting and expressionism. At first he was influenced by Richard Wagner and tried to write in a Wagnerian style. He attracted the attention of Alban Berg and Anton von Webern, with whom he created a new compositional method based on using all 12 half-steps in each octave as an organizing principle, the so-called 12-tone technique. His importance to the development of twentieth-century music is incredible, but the music he composed using this new method is not easily accessible to most concertgoers.

Bibliographic information

QR code for Style and Idea
TitleStyle and Idea: Selected Writings of Arnold Schoenberg
AuthorsArnold Schoenberg, Leonard Stein
EditorLeonard Stein
Translated byLeo Black
Editionreprint
PublisherUniversity of California Press, 1984
ISBN0520052943, 9780520052949
Length559 pages
Subjects ›  › 

Biography & Autobiography / Music
Music / Individual Composer & Musician
Music / Instruction & Study / Composition
Music / Instruction & Study / Theory
  
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