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CHARLOTTE AND EMILY BRONTE 0
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abstract achieved action active actual Adam Bede become belongs central centre characters civilisation complicated connections Conrad consciousness course creative crisis Daniel Deronda decisive deeply define describe Dickens Dickens's difficulties direct disturbance Dombey educated Eliot and Hardy Elizabeth Gaskell emphasis English novel feeling Felix Holt fiction George Eliot happens Hardy's human ideas imaginative important intense isolated Jane Austen Jane Eyre Jude Jude the Obscure kind knowable community labourers language Lawrence learned literature Little Dorrit living look mean method Middlemarch moral never Nostromo novelist observation ordinary particular physical pressure problem radical railway reality recognition relation relationship response rural seems seen sense separation shared significant social experience society Sons and Lovers specific street structure struggle Tess thing Thomas Hardy tion tone tradition values vision whole Women in Love writing Wuthering Heights