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acted actor actress Adelaide Neilson admirable Adrienne America American Stage appearance artistic Augustin Daly beauty became Booth's Theatre brilliant Broadway Theatre career character Charles Charlotte Cushman charm comedian comedy comic Coquelin Daly death December dramatic art E. L. Davenport Edmund Kean Edwin Booth effect embodiment engagement English experience expression feeling Fifth Avenue Theatre Forrest French genius gentle Gilbert grace Hamlet Hare heart Helena Modjeska Henry Henry Irving Holland honor human humor husband ideal impersonation James James William Wallack Jefferson John Juliet Kean King Lady Lawrence Barrett Lester Wallack London Macbeth married Mary McCullough ment mind Miss Modjeska moral nature never noble Othello Park Theatre passion pathos performance persons play possessed presented professional reason Sarah Bernhardt scene seen Shakespeare spirit story Street Theatre success sweet temperament tender theatrical tion tour tragedy Virginius voice Wallack wife Willard William woman York
Page xxvi - Time hath, my lord, a wallet at his back, Wherein he puts alms for oblivion, A great-siz'd monster of ingratitudes : Those scraps are good deeds past ; which are devour'd As fast as they are made, forgot as soon As done...
Page xxvi - For honour travels in a strait so narrow, Where one but goes abreast : keep then the path ; For emulation hath a thousand sons, That one by one pursue : If you give way, Or hedge aside from the direct forthright, Like to an enter'd tide, they all rush by, And leave you hindmost.-- _ _ . . Or, like a gallant horse fall'n in first rank.
Page xxvi - High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time. One touch of nature makes the whole world kin...
Page xxvi - O, let not virtue seek Remuneration for the thing it was ; For beauty, wit, High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time.
Page 468 - In bed we laugh, in bed we cry, And born in bed, in bed we die; The near approach a bed may show Of human bliss to human woe.
Page 209 - How should I love the pretty creatures, While round my knees they fondly clung ; To see them look their mother's features, To hear them lisp their mother's tongue. And when with envy, time transported, Shall think to rob us of our joys, You'll in your girls again be courted, And I'll go wooing in my boys.
Page xxvi - Take the instant way For honour travels in a strait so narrow, W'here one but goes abreast: keep then the path; For emulation hath a thousand sons, That one by one pursue: If you give way, Or hedge aside from the direct forthright, Like to an...
Page 341 - Nokes was an actor of a quite different genius from any I have ever read, heard of, or seen, since or before his time ; and yet his general excellence may be comprehended in one article, viz. a plain and palpable simplicity of nature, which was so utterly his own, that he was often as unaccountably diverting in his common speech, as on the stage.