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Music in Hungary Bohemia Poland and the Adriatic
Composers mainly of Northern France in the Period
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addition Agnus appears applied bass beginning cadence called canon cantus firmus century changes chanson chant close collection complete composer composition consists contains continued court Credo dance discussed Dufay Dufay's early employed evidence example facsimile fifth figure four French frequently Further German given gives Gloria ibid imitation important indicated Italian Italy Josquin known Kyrie later less lute madrigal Mass material measures melody mentioned Missa mode motet musicians notation notes Ockeghem opening organ original pair paraphrase pars passages performance period phrase pieces PirH plainsong played polyphonic present printed probably produced published referred regarded repetition represented respectively rhythmic sacred secular served setting shows singers singing sometimes song sources style sung superius tenor third tion various verse voices writing written