James Ensor's painting of 1887, "The Temptation of St. Anthony," now in The Museum of Modern Art's collection, established the artist as one of the boldest painters of all his contemporaries. Ensor (1860-1949) was a major figure in the Belgian avant-garde of the late nineteenth century and an important precursor to the development of Expressionism in the early twentieth, yet his work is underappreciated in the United States, and far too little seen. This striking volume, published on the occasion of Ensor's major 2009 exhibition in New York, gives the artist the attention he so greatly deserves. It presents approximately 90 works, organized thematically, examining Ensor's Modernity, his innovative and allegorical approach to light, his prominent use of satire, his deep interest in carnival and performance and, finally, his own self-fashioning and use of masking, travesty and role-playing. Works in the full range of his media--painting, printing and drawing--are presented in an overlapping network of themes and images to produce a complete picture of this daring body of art. The most comprehensive volume on the artist available in English, this remarkable, scholarly volume reveals Ensor as a socially engaged and self-critical artist involved with the issues of his times and contemporary debates on the very nature of Modernism.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Mating James Elisor
Carnival of the Modern
A View from Ostend
Other editions - View all
Agnes Gund Antwerp Antwerp Plate artist Aureoles du Christ Aureoles series avant-garde Beaux-Arts de Belgique Belgian Belgium Black chalk bourgeois Brussels in 1889 Bruxelles Camille Lemonnier carnival Chinoiseries Christ into Jerusalem Christ's Entry Collection Thomas colored pencil Conte crayon contemporary copies critics Curator drawings Ecrits Emile Verhaeren Entry into Brussels Entry of Christ Etching exhibition Felicien Rops figures Flemish Friton Georges Seurat Guillaume Vogels impasto James Ensor Koninklijk Museum Kunstmuseum aan zee landscape Les XX light Lore Firman Masques Modern Art Musees royaux Museum of Modern Museum voor Schone Mystic Death Octave Maus Odilon Redon Oil on canvas Oil on panel Ostend painting palette Paris Paul Peintre Pol de Mont Portrait Private collection Realist Rembrandt Robert Hoozee Rousseau royaux des Beaux-Arts Saint Anthony Salon scene Schone Kunsten seascapes Self-Portrait sheet social Squelettes studio theater Theologian Thomas and Lore Tribulations of Saint Turner Verhaeren Vingt Visions Vogels