For Ever GodardJames S. Williams, Michael Temple, Michael Witt For the last 50 years, Jean-Luc Godard's work in cinema and video has innovated, provoked and inspired. Reviewing this key film and video maker of the twentieth century, "For Ever Godard provides a new context for his work. Since the completion in 1998 of "Historie(s) du Cinema, an eight-part videographic experiment in cinema history, Godard's recent work on film and video has featured strongly in debates about audio-visual art and culture, especially regarding questions of historical memory, technological change, and the future of cinema in all its forms. The contributors to "For Ever Godard represent an international line-up, with writers based in nine countries, cutting across generations and disciplines. Thus a wide range of perspectives can be discerned in the essays, including philosophy, new media, critical theory, feminism, museology and historiography, as well as established names from film studies and art history. "For Ever Godard provides the essential overview to one of the most well-known figures in film and video today. |
Contents
GODARD HITCHCOCK AND THE CINEMATOGRAPHIC IMAGE | 214 |
JLG AND WRITING AS THE ACCURSED SHARE | 232 |
JLGECM | 272 |
Copyright | |
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aesthetic Alphaville Anne-Marie Miéville archive artistic Bande à Bergala Blanchot body bout de souffle Cahiers du cinéma Cast includes Chapter cinema cinematographic classical collaboration Collection Cahiers Collection L'Avant-Scène Cinéma Collection Michael Temple Collection Michael Witt colour Daney défilé Deleuze dialogue Directed by Jean-Luc ECM Records Editing Éloge de l'amour essay Farocki femme figure film's filmic filmmaker Format fragments frame François Musy French Gaumont Godard and Miéville Godard's films Godardian Hélas pour moi Histoire(s Hitchcock Jacques Je vous salue Jean Jean-Luc Godard Jean-Luc Godard Camera Jean-Pierre Jean-Pierre Gorin JLG/JLG Karina La Chinoise Lanzmann Le Petit soldat Malraux Marie memory Mépris Michael Witt Miéville's montage movement museum narrative Nouvelle Vague Numéro Deux Paris peut la vie photograph Pierrot le fou Production question quotation representation salue Sauve qui peut scene screen Script sequence Shoah shot Sonimage sound soundtrack television trailers visual voice words