Blindness and Therapy in Late Medieval French and Italian Poetry

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Boydell & Brewer Ltd, 2011 - Literary Criticism - 238 pages
This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoral theory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy.

Julie Singer is Assistant Professor of French at Washington University, St Louis.

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The LoveImprint
Medical Blindness Rhetorical Insight
Irony or the Therapeutics of Contraries
Metaphor as Experimental Medicine
Metonymy and Prosthesis
Blindfold Synecdoche
Epilogue Just Words

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About the author (2011)

is Assistant Professor of French, Washington University in St Louis. She graduated from the University of Maryland and Duke University.

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