Detail in typography: letters, letterspacing, words, wordspacing, lines, linespacing, columns
How is it that text can be set perfectly and yet look insufferably dull? How do you achieve perfect congruence between the type itself and its meaning? In Detail in Typography Jost Hochuli, master book designer and author of the seminal Designing Books, addresses the finer points of setting text. Hochuli begins with a consideration of how human beings read, moving on incrementally to considerations of letter, word, and line as well as word-space and line-space. Hochuli concludes by examining whole paragraphs and how they carry meaning. Produced in Switzerland to the highest standards, Detail in Typography embodies critical thinking and articulate design in its own physical form.
4 pages matching italic types in this book
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2nd edn accidentally aesthetic end amount of spacing amounts of text appear art of rightly basic book-script fashion Bembo book-script fashion give books of scholastic Cologne in 1483 coming between author curves and emphatic detail typography disposing printing material esentially utilitarian fractured curves Futura Bold given exaggerated terminals horizontal indented individual letters interlinear space italic types Jan Tschichold Kapr kerning kitsch Laureate law to condensed legibility letterspacing can improve linespacing lining figures lowercase letters maximum the reader's Missal was printed Monogramme Monotype narrow sanserif non-lining figures optical patterns is rarely Peter Willberg philosophy and law Poet Laureate printed at Cologne QuarkXPress rarely the reader's read in small reader's chief aim reader's comprehension rightly disposing printing Robert Bringhurst Robin Kinross roman type saccades scholastic philosophy SMALL CAPITALS small caps solidus space and controlling Stanley Morison Sulgen text set textura faces cut typeface units of letterspacing Unjustified setting width wordspaces x-height