Visions of Japan: Kawase Hasui's Masterpieces

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Hotei Pub., Jan 1, 2004 - Art - 149 pages
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A selection of one hundred masterpieces by Kawase Hasui (1883-1957), one of the most important Japanese landscape artists of the twentieth century. Large full colour illustrations show the enormous variety of snow, moon and rain scenes for which Hasui became famous. Introduction to Kawase Hasui by Ken Brown. (See also our publication 'Kawase Hasui The complete woodblock prints', 2003). Kawase Hasui (1883-1957) is considered one of the most important Japanese landscape artists of the 20th century. His prints, produced under the guidance and stern eye of his publisher, Watanabe Sh˘zabur˘, are the modern continuation of the unforgettable works by Hiroshige and Hokusai, the 19th-century masters of this genre. As none other, he could evoke Japan of the eventful interwar period. Hasui's work enjoyed huge popularity from his very first print of 1918. In contrast to his illustrious 19th-century predecessors, his work was immediately successful in the rest of the world. His publisher, Watanabe Sh˘zabur˘, recognised the enormous potential of the American market, which resulted in Hasui's prints fetching high prices at auctions in New York as early as the 1920s. After the Second World War, his prints were highly desired and sought after collectible items among the American occupying forces in Japan. Hasui's work has always been greatly appreciated in Japan: He was acknowledged as a 'Living National Treasure' in 1956.

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User Review  - Marensr - LibraryThing

Hasui is my favorite Japanese woodcut artist. He is a later artist (1883-1957) and his layering of color is magnificent. He tends to focus on landscapes rather than individuals. Although he creates ... Read full review

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About the author (2004)

Kendall H. Brown is Associate Professor in the Department of Art at California State University, Long Beach, California, where he teaches the art of India, China and Japan. Following his research into sixteenth- and seventeenth-century Japanese painting and publications, his interests turned to the twentieth century and to woodblock prints.

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