The Stage is Set |
Contents
for Foreword | 3 |
REALISM AND REALITY | 42 |
PLAYERS IN THE PULPIT | 67 |
Copyright | |
12 other sections not shown
Common terms and phrases
accepted achieved actor Adolphe Appia Aeschylus aesthetic amateur American Appia architecture Art Theatre artist Athens attempt audience auditorium back-drop background beauty become canvas century classic colour comedy costumes court Craig decoration director dramatic drawings Duke of Saxe-Meiningen effect elaborate electric Elizabethan emotional Euripides experience expression fact feet French Hamlet Heaven human ideas imagination imitation important Inigo Jones Joseph Gregor less light Liliom LINE living Macbeth machine Marco Millions Meiningen ment modern theatre Molière Molière's Moscow Art Moscow Art Theatre never opera painted painter palace Paris performance perspective play players playhouse playwright poet poetic poetry production realism rehearsal Renaissance reproduced revival Robert Edmond Jones rôle romantic scene scene-designer scene-painter scene-shifting scenery scenic design script seems Shakespeare Sophocles space spectators speech stage lighting stage picture stage setting stage-craft stage-directions Stanislavsky successful Théâtre Theatre Guild theatre's theatrical tion tragedy trap-doors typical York