Time-Life Books, Jan 1, 1983 - Photographers - 248 pages
First factor in photography is intent. The second factor is skill. Finally, the great photographer must execute his intention with a consistancy lesser photographers cannot approach.
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Alfred Stieglitz Amencan artists August Sander beauty Bisson Brady Califomia calotype camera Caponigro Cartier-Bresson caught Charles Negre cntic collodion color composition Cosindas courtesy Gemsheim Collection create daguerreotype darkroom date unknown Diane Arbus dunng Edward Steichen Edward Weston Emerson Eugene expenmenting fnend gallery Gardner Garry Winogrand graphs Halsman Heinecken Hine Humanities Research Center images industnal Josef Koudelka Karsh Kertesz Koudelka landscape light Lisette Model look Minor White Modem Art Museum Nadar nature negatives nght Notman O'Sullivan painter painting Pans pattem phers photogra photographer's photographs plates pnnts portrait pose realism record Rejlander reveal Robert Robert Heinecken Rodchenko Salomon scene senes sitters Southworth and Hawes spint Stelzner Stephen Shore street studio style subjects Sudek technique Texas at Austin Thomson TIME-LIFE tion tographer took tree tumed tures Uelsmann University of Texas Victonan Vroman Watkins window Winogrand woman wrote York City