Cultural Economies: Histories from the Alternative Arts Movement, NYCJulie Ault |
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Page 22
... called on October 14th , because word was received that the Administrator of the Whitney , Stephen E. Weil , had called one of the signers of the letter , and said the Whitney would not meet the women to discuss quotas for the Annual ...
... called on October 14th , because word was received that the Administrator of the Whitney , Stephen E. Weil , had called one of the signers of the letter , and said the Whitney would not meet the women to discuss quotas for the Annual ...
Page 33
... called " Documenta " has been held for many years in beat - up build- ings of great distinction in which only minimal reconstruction work has been undertaken . In London in the 1960's art- ists by the score found working spaces in a ...
... called " Documenta " has been held for many years in beat - up build- ings of great distinction in which only minimal reconstruction work has been undertaken . In London in the 1960's art- ists by the score found working spaces in a ...
Page 45
... called " Potato Wolf " on Manhattan Cable Channel C , run a theater group called " Nightshift Theater , " publish " Span- ner , " a journal of artists ' work , and plan another magazine called " Bomb , " incorporating film , video ...
... called " Potato Wolf " on Manhattan Cable Channel C , run a theater group called " Nightshift Theater , " publish " Span- ner , " a journal of artists ' work , and plan another magazine called " Bomb , " incorporating film , video ...
Contents
The First Radical Art Show of the 80s | 36 |
Reagan Is Heckled by Crowd in Bronx Alison Mitchell | 39 |
A Gallery Scene that Pioneers in New Territories Grace Glueck | 52 |
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Common terms and phrases
ABC No Rio agency Ahearn AIDS Alan Moore alternative spaces American Art Workers Art Workers Coalition art world artist-run Artists Space audience avant-garde black artist Brooklyn budget building called Cindy Sherman city's co-ops Coalition Colab commercial galleries contract Council critics Cultural Economies curators David Salle dealers decals Delancey Street director East Village esthetic Fashion Moda Federal financing funding Gracie Mansion grants Group Material Haacke Harlem Hodsoll House Hoving ideas institutions John Jon Hendricks Julie Ault loft Manhattan ment million Modern Art Museum of Modern Nature Morte neighborhood organizations painting panels percent Peter Nagy political poster projects Reagan Real Estate Show rent says sculptor seum Social Grease SoHo South Bronx Square Show staff storefront Street studio subcultural thing tion tive ture urban Visual Whitney Winer women artists young artists