Cultural Economies: Histories from the Alternative Arts Movement, NYCJulie Ault |
From inside the book
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Page 24
... esthetic ) justly . Such an exhibition should also discover that the roots of America's collective cul- tural experience are wider than they are deep , and that museum culture cannot simply continue to nurture a few varieties of ...
... esthetic ) justly . Such an exhibition should also discover that the roots of America's collective cul- tural experience are wider than they are deep , and that museum culture cannot simply continue to nurture a few varieties of ...
Page 35
... esthetic element . It is also important to disen- tangle the role of economics in the concept of the alternative space . We acknowledge and applaud the role of quality , where we can find it , but we must also acknowledge the ex- tent ...
... esthetic element . It is also important to disen- tangle the role of economics in the concept of the alternative space . We acknowledge and applaud the role of quality , where we can find it , but we must also acknowledge the ex- tent ...
Page 45
... esthetic " work it has presented in its South Bronx space , a mix of crude amateur and highly pro- fessional efforts by Hispanic , black and white artists ranging in age from 15 to 62. There was an environment by Can- dace Hill ...
... esthetic " work it has presented in its South Bronx space , a mix of crude amateur and highly pro- fessional efforts by Hispanic , black and white artists ranging in age from 15 to 62. There was an environment by Can- dace Hill ...
Contents
The First Radical Art Show of the 80s | 36 |
Reagan Is Heckled by Crowd in Bronx Alison Mitchell | 39 |
A Gallery Scene that Pioneers in New Territories Grace Glueck | 52 |
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Common terms and phrases
ABC No Rio agency Ahearn AIDS Alan Moore alternative spaces American Art Workers Art Workers Coalition art world artist-run Artists Space audience avant-garde black artist Brooklyn budget building called Cindy Sherman city's co-ops Coalition Colab commercial galleries contract Council critics Cultural Economies curators David Salle dealers decals Delancey Street director East Village esthetic Fashion Moda Federal financing funding Gracie Mansion grants Group Material Haacke Harlem Hodsoll House Hoving ideas institutions John Jon Hendricks Julie Ault loft Manhattan ment million Modern Art Museum of Modern Nature Morte neighborhood organizations painting panels percent Peter Nagy political poster projects Reagan Real Estate Show rent says sculptor seum Social Grease SoHo South Bronx Square Show staff storefront Street studio subcultural thing tion tive ture urban Visual Whitney Winer women artists young artists