Multimedia: From Wagner to Virtual Reality
Tracing the fertile series of collaborations between arts and sciences throughout the twentieth century, Randall Packer and Ken Jordan present the often overlooked history behind multimedia—the interfaces, links, and interactivity we all take for granted today. "Many of the papers that had profound impact upon my development—to say nothing of the entire industry—are here," raves Donald A. Norman, author of The Invisible Computer. In "an evocative whirlwind tour through 100 years of work" (Wired), Packer and Jordan bring together an "historically significant" (Slashdot) collection of the groundbreaking visions of scientists like Vannevar Bush, Douglas Englebart, and Norbert Wiener, and artists like John Cage, Nam June Paik, and William Gibson. Their insightful explanations of the core concepts behind multimedia provide historical context that "reads like a Western civ of modern media" (Film/Tape World).
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action active aesthetic Alan Kay animation artist artwork audience authoring system basic become Bill Viola capabilities cinema collaboration communication complex concept create creative culture Cybernetics cyberspace Dataland device direcdy display Douglas Engelbart Dynabook dynamic effect electronic Engelbart example exist experience explore film future graphics head-mounted display human hypermedia hypertext ideas immersive interactive interface invention involved Ivan Sutherland LambdaMOO language liquid architecture litde machine Man-Computer Symbiosis manipulation maze means medium memex mental moving multimedia narrative navigation objects organization painting participants performance personal computer physical players possible potential problem Roy Ascott screen sense simulation sound spatial story Ted Nelson telematic theater things thought tion Vannevar Bush viewer virtual environment virtual reality virtual space vision visual workstation writing
Interactivation: Towards an E-cology of People, Our Technological ...
Limited preview - 2006
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