The Latin Beat: The Rhythms And Roots Of Latin Music From Bossa Nova To Salsa And Beyond
The Latin explosion of Marc Anthony, Ricky Martin, and the Buena Vista Social Club may look like it came out of nowhere, but the incredible variety of Latin music has been transforming the United States since the turn of the century, when Caribbean beats turned New Orleans music into jazz. In fact, we wouldn't have any of our popular music without it: Imagine pop sans the mambos of Perez Prado and Tito Puente, the garage rock of Richie Valens, or even the glitzy croon of Julio Iglesias, not to mention the psychedelia of Santana and Los Lobos and the underground cult grooves of newcomers like Bebel Gilberto. The Latin Beat outlines the musical styles of each country, then traces each form as it migrates north. Morales travels from the Latin ballad to bossa nova to Latin jazz, chronicles the development of the samba in Brazil and salsa in New York, explores the connection between the mambo craze of the 1950's with the Cuban craze of today, and uncovers the hidden history of Latinos in rock and hip hop. The Latin Beat is the only book that explores where the music has come from and celebrates all of the directions it is going.
What people are saying - Write a review
We haven't found any reviews in the usual places.
The Evolution of Cuban Music into Salsa
The Story of Nuyorican Salsa
Contemporary Cuban Music
The Latin Ballad from the Bolero to the New Latin Pop
Other editions - View all
African Afro-Cuban music album ballad band's Banda bandleader bass Bauza beat became began blues bolero bomba bossa nova Brazil called career Caribbean century charanga classic clave Club collaboration Colombian conga contemporary corrido created Cuba Cuban music culture cumbia D'Rivera dance danzon decima Dominican Republic drum early Eddie Palmieri Fania featured fusion genre Gilberto guitar guitarist habanera Havana Hernandez hip-hop improvisation indigenous influence instruments Irakere Juan late Latin alternative Latin America Latin jazz Latin music Latin pop Lopez Los Van Van mainstream mambo melody merengue Mexican Mexico musicians North American orchestra Palmieri percussion percussionist performed pianist piano played players popular Puerto Rican ranchera recorded released rhythmic rhythms Rico rock and roll Rodriguez roots rumba salsa salsa romantica samba saxophonist scene singing solo songs songwriter sound Spanish stars style syncopated tango Tito Puente traditional trio tropicalia trova trumpeter tunes Valdes vallenato Veloso vocal vocalist York
Page xvi - Yo sueno que estoy aqui de estas prisiones cargado, y sone que en otro estado mas lisonjero me vi. ^Que es la vida? Un frenesi. (Que es la vida? Una ilusion, una sombra, una ficcion, y el mayor bien es pequeno; que toda la vida es sueno, y los suenos suenos son.
Page 14 - In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning, I call it, for jazz.
Page 8 - Cornelius writes, the clave pattern is two measures in length "in which each measure is diametrically opposed. The two measures are not at odds, but rather, they are balanced opposites like positive and negative, expansive and contractive, or the poles of a magnet. As the full pattern is repeated, an alteration from one polarity to the other takes place creating puke and rhythmic drive