Dubliners by James Joyce

Front Cover
Mundus Publishing, 1926 - Domestic fiction - 255 pages
1986 Reviews

 Each of the beautifully written short stories in this collection precisely details a brief scene in the life of a resident of Dublin at the turn of the 20th century. Although the characters do not know each other, their experiences unfold along the same streets and often overlap thematically. Their tragedies mirror that of Ireland, a country struggling for political identity and held back, in Joyce's view, by rigid religious ideas and adherence to tradition. Joyce's great skill at dialect offers a sense of the city's complex social structure, while themes of isolation, emotional paralysis, violence, regret, and death run throughout the collection and link all of the stories.


This edition contains extensive overviews of both the author and the collection of short stories.

  

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Araby, best love story ever - Goodreads
Dark, dreary, almost unbearably hard to read. - Goodreads
Such wonderful writing! - Goodreads
Slow and slower with some great descriptive prose. - Goodreads
At times this book was difficult to read. - Goodreads
Wonderful introduction to Joyce. - Goodreads

Review: Dubliners

User Review  - Brenna - Goodreads

"One of the best English language writers ever" was what I kept seeing. I wish I had more literature background to be able to speak on it, but they're probably right. The writing is incredible - he ... Read full review

Review: Dubliners

User Review  - Anirban Nanda - Goodreads

Wow! What a beautiful collection of stories! I love all the stories except Ivy Day in the Committee Room which was too boring for me. All stories are on few common themes: 1. They are on Dublin daily ... Read full review

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About the author (1926)

 James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish expatriate author of the 20th century. He is best known for his landmark novel Ulysses (1922) and its controversial successor Finnegans Wake (1939), as well as the short story collection Dubliners (1914) and the semi-autobiographical novel A Portrait of the Artist as a Young Man (1916).


Although he spent most of his adult life outside Ireland, Joyce's psychological and fictional universe is firmly rooted in his native Dublin, the city which provides the settings and much of the subject matter for all his fiction. In particular, his tempestuous early relationship with the Irish Roman Catholic Church is reflected through a similar inner conflict in his recurrent alter ego Stephen Dedalus. As the result of his minute attentiveness to a personal locale and his self-imposed exile and influence throughout Europe, notably in Paris, Joyce became paradoxically one of the most cosmopolitan yet one of the most regionally focused of all the English language writers of his time.

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