The Skin of Our Teeth: Play in Three Acts

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Samuel French, Inc., 1972 - Drama - 137 pages
Meet George and Maggie Antrobus of Excelsior, New Jersey, a suburban, commuter-town couple (married for 5,000 years), who bear more than a casual resemblance to that first husband and wife, Adam and Eve: the two Antrobus children, Gladys (perfect in every way, of course) and Henry (who likes to throw rocks and was formerly known as Cain); and their garrulous maid, Sabina (the eternal seductress), who takes it upon herself to break out of character and interrupt the course of the drama at every o
 

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Contents

Section 1
3
Section 2
6
Section 3
7
Section 4
51
Section 5
93
Section 6
123
Section 7
130
Section 8
132
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About the author (1972)

One of the most honored and versatile of modern writers, Thornton Wilder combined a career as a successful novelist with work for the theater that made him one of this century's outstanding dramatists. It was an early short novel, however, that first brought him fame. The Bridge of San Luis Rey (1927), a bestseller that won the Pulitzer Prize in 1927, is the story of a group of assorted people who happen to be on a bridge in Peru when it collapses. Ingeniously constructed and rich in its philosophical implications about fate and synchronicity, Wilder's book would seem to be the first well-known example of a formula that has become a cliche in popular literature. His attraction to classical themes is manifested in The Woman of Andros (1930), a tragedy about young love in pre-Christian Greece, and The Ides of March (1948), set in the time of Julius Caesar and told in letters and documents covering a long span of years. Heaven's My Destination (1934), is a seriocomic and picaresque story about a young book salesman traveling through the Midwest during the early years of the Great Depression.Theophilus North (1973), Wilder's last novel, disappointed many reviewers, but it provided its author with opportunities to offer some wry observations on the life of the idle rich in Newport during the summer of 1926 and to ponder in the story of his alter ego what might have happened if Wilder had stayed home, so to speak, instead of becoming Thornton Wilder. As a serious writer of fiction, Wilder's main claim rests on The Eighth Day (1967), an intellectual thriller, which the N.Y. Times called "the most substantial fiction of his career." It won the National Book Award for fiction in 1968.