Includes criticism by T. S. Eliot of Euripides, Christopher Marlowe, William Shakespeare, Hamlet, Ben Jonson, Thomas Middleton, Thomas Heywood, Cyril Tourneur, John Ford, Philip Massinger, Dante, Andrew Marvell, John Dryden, William Blake, Algernon Swinburne, Alfred Lord Tennyson, Lancelot Andrewes, John Bramhall, Blaise Pascal and the Pensees, Charles Baudelaire, Matthew Arnold, Walter Pater, Francis Herbert Bradley, Marie Lloyd, Wilkie Collins, Charles Dickens, Irving Babbitt, and Charles Whibley.
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Tradition and the Individual Talent 1919
Function of Criticism 1923 12
Rhetoric and Poetic Drama 1919
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admirable appears Arnold artist Atheist's Tragedy attitude Babbitt Baudelaire believe blank verse called Canto certainly character Christian Church Collins comedy contemporary criticism Culture Dante Dante's Divine Comedy Donne dramatists Dryden Elizabethan drama emotion England English essay ethics experience express fact feeling genius Greek Hamlet Heywood Hobbes human humanist important Inferno influence interest J. M. Robertson Jonson kind language Latin less lines literary literature Marie Lloyd Marlowe Massinger matter mean merely Middleton mind modern Montaigne moral never Pascal passages Pater perhaps philosophy phrase play poem poet poetic poetry Port-Royal prose reader reason religion religious Revenger's Tragedy rhetoric Roaring Girle Roman seems Seneca sense Shakespeare soul Spanish Tragedy speech Stoicism style Swinburne T. E. Hulme Tamburlaine taste Tennyson theology theory thing thought tion Tourneur translations Vita Nuova Volpone Webster whole words writing Yorkshire Tragedy