Hamline Studies in Musicology, Volumes 1-2Ernst Krenek |
Other editions - View all
Common terms and phrases
15th century accented syllable appear arsic and thetic arsic concept arsic syllable arsis arsis and thesis beginning cadence cantus firmus characteristic chords chromatic pattern combination composer considered consonant Credo dissonance Dorian eighth note elements Ernst Krenek example expression factor fifth flat flat-D flat-E flavor fourth function Glareanus Gregorian Chant Gustave Reese half step Hamline University hypo-Dorian ictus inversion Krenek Kyrie Liber Usualis lowest voice measure melismas melodic group melodic line melodic units meter and rhythm Method metric and rhythmic minor third Missa Caput Mixolydian modal motives movement musicologists occur octave Okeghem over-all mode piece polyphonic music quarter notes quartet range retrogression rhythmic group second phrase similar six-tone pattern Solesmes Theory specific syllable thesis thetic concept thetic syllable three notes three-beat three-note three-tone groups Tinctoris tonal transposition Twelve-Tone Technique Type unaccented variation varied variety violin Webern whole steps