Catholicism, Sexual Deviance, and Victorian Gothic Culture

Front Cover
Cambridge University Press, Sep 21, 2006 - Literary Criticism
1 Review
Reviews aren't verified, but Google checks for and removes fake content when it's identified
It has long been recognised that the Gothic genre sensationalised beliefs and practices associated with Catholicism. Often, the rhetorical tropes and narrative structures of the Gothic, with its lurid and supernatural plots, were used to argue that both Catholicism and sexual difference were fundamentally alien and threatening to British Protestant culture. Ultimately, however, the Gothic also provided an imaginative space in which unconventional writers from John Henry Newman to Oscar Wilde could articulate an alternative vision of British culture. Patrick O'Malley charts these developments from the origins of the Gothic novel in the mid-eighteenth century, through the mid-nineteenth-century sensation novel, toward the end of the Victorian Gothic in Bram Stoker's Dracula and Thomas Hardy's Jude the Obscure. O'Malley foregrounds the continuing importance of Victorian Gothic as a genre through which British authors defined their culture and what was outside it.

What people are saying - Write a review

We haven't found any reviews in the usual places.

Selected pages


the literature of Gothic
vampirism from
the aesthetic
Oxfords ghosts and

Other editions - View all

Common terms and phrases

About the author (2006)

Patrick R. O'Malley is Assistant Professor of English at Georgetown University.

Bibliographic information