Performing Objects and Theatrical Things
This book rethinks historical and contemporary theatre, performance, and cultural events by scrutinizing and theorizing the objects and things that activate stages, venues, environments, and archives.
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actants actor affective agency Allan animacy animate archive argues artistic audience Aztec become Bennett Booth Bruno Latour Cantares Mexicanos Castle Dounie CDVs century character Cherniavsky collaboration collection contemporary critical cultural dance Dr Faustus drama drums Ed’s Museum Edwin Booth El Vez engagement entities everyday explore Faustus’s function Furness skull hair Hamlet huehuetl human and nonhuman human subjects illusion images imagine Latour living Lopez magical thing Margolin Maud Allan medieval memory Mexica morethanhuman Motezuma narrative nineteenthcentury notion objects and things onstage past Pepper’s Ghost photographs physical plate glass play potential present production queer relationship relics representation River Clyde role Salomé Salomé costume script scriptive thing semiotics signified sitespecific slave social Sofer songdances space Split Britches status temporal Tenochtitlán theatre and performance theatrical objects theory transformation Uncle Tom’s Cabin Vibrant Matter virtual visual Walnut Street Theatre whip Wykoff Yorick