Performing the Matrix: Mediating Cultural Performance

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Meike Wagner, Wolf-Dieter Ernst
epodium, 2008 - Communication - 357 pages
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 Performing the Matrix. Mediating Cultural Performances presents a collection of case studies and analyses dealing with performances of the matrix that take up questions of identities and social thinking, visualization and perception, the discursive power of texts and historiographic paradigms, and artistic strategies of political intervention.


Since 1999 The Matrix has become a popular catchword through the homonymous Wachowski brothers’ movie. As both a traditional concept and a popular phenomenon, ‹matrix› can take on a new value when reconsidered in the light of performance studies. A behind-the-scenes look at theatre, performance, political activism and events may reveal a productive mediating structure that can metaphorically be described as a matrix. This mediating structure and its materializations are fundamentally reshaping modern culture. Accordingly ‹politics of visibility›, ‹media networking›,‹telepresence› and ‹liveness› are considered to be understood as performances of the matrix. If so, how does this understanding of cultural performances ‹as always already mediatized› influence contemporary concepts of performance and media?
 

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Contents

Michal Kobialka
21
theatre historiography
177
Maria Ines Aliverti
201
Friedemann Kreuder
223
Martin Puchner
241
Baz Kershaw
261
Sruti Bala
289
Pia Wiegmink
307
Martin Doll
321
Kati Röttger
337
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