Auditioning for TV: How to Prepare for Success as a Television Actor |
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Page 87
... MIKE OVER : COME IN FOR CU OF HIS FACE . HIS CONFIDENCE DWINDLES AS HE WAITS FOR ANSWER . LISTENS BREATHLESSLY . HOPEFULLY . FROWNS ; THEN SUDDENLY IS SURE HE KNOWS THE REASON FOR NO REPLY . HOLD ON FACE AS WE LISTEN TO HIS THOUGHTS ...
... MIKE OVER : COME IN FOR CU OF HIS FACE . HIS CONFIDENCE DWINDLES AS HE WAITS FOR ANSWER . LISTENS BREATHLESSLY . HOPEFULLY . FROWNS ; THEN SUDDENLY IS SURE HE KNOWS THE REASON FOR NO REPLY . HOLD ON FACE AS WE LISTEN TO HIS THOUGHTS ...
Page 89
... MIKE : SUDDENLY LETS HIS HAND FALL TO DESK TOP . HE PICKS UP A NEW WHISKEY BOTTLE AND POURS SOME INTO A GLASS . MAKES ABORTIVE TOAST GESTURE : DRINKS . HE STANDS UP , LEANS BACK AGAINST THE DESK AND WE FOLLOWS HIM AS HE PANS THE ROOM ...
... MIKE : SUDDENLY LETS HIS HAND FALL TO DESK TOP . HE PICKS UP A NEW WHISKEY BOTTLE AND POURS SOME INTO A GLASS . MAKES ABORTIVE TOAST GESTURE : DRINKS . HE STANDS UP , LEANS BACK AGAINST THE DESK AND WE FOLLOWS HIM AS HE PANS THE ROOM ...
Page 103
... MIKE : A microphone . MIKE TECHNIQUE : A knowledge of the pickup char- acteristics of a microphone and the delivery of dialogue to suit such requirements . MONITOR : A video screen for use on the set . An im- portant aid to the actor ...
... MIKE : A microphone . MIKE TECHNIQUE : A knowledge of the pickup char- acteristics of a microphone and the delivery of dialogue to suit such requirements . MONITOR : A video screen for use on the set . An im- portant aid to the actor ...
Common terms and phrases
ability accept achieve acting action actor actual answer appearance asked audience AUDIO audition auditioner BACK BEGINS better broadcast camera career carefully casting casting director cause CEMENT character choose CLOSE complete concerned consider create definite DESK determine devices dialect dialogue director DISSOLVE DOOR easily effective Elizabeth emotion employed experience expression FACE FADE feel FLETCHER FLOOR follows HAND HEAD hear HENRY HOLD imagination immediate important improvisation interest interpretation interview keep knowledge LEFT light listen live LOOKS material means medium MIKE natural never OPEN pantomime pattern performance person PICKS picture play practice preparation production props radio reading reason rehearsal remember require result scene screen script SHOT sight sincerity situations SOUND speech stage station STEPS STOPS studio success TAKES talent television tell tion TURNS usually VIDEO VIEW viewer voice