Auditioning for TV: How to Prepare for Success as a Television Actor |
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Page xvi
... Answers that are known but that are not put into action are no answers at all . A person believes he can act . He knows he can act . But until he can convince a director of this , he isn't an actor . At least not an employed one . The ...
... Answers that are known but that are not put into action are no answers at all . A person believes he can act . He knows he can act . But until he can convince a director of this , he isn't an actor . At least not an employed one . The ...
Page 85
... ANSWER , THEN : AUDIO FLETCHER ( HOARSE ) Evans · . ? Fuller . ? · HE SHAKES HIS HEAD TO CLEAR IT AND FEELING BETTER , RUNS HIS HAND OVER HIS FACE , FEELING THE WETNESS OF THE BLOOD . HE LOOKS AT HIS HAND AND DROPS IT TO HIS SIDE . HE ...
... ANSWER , THEN : AUDIO FLETCHER ( HOARSE ) Evans · . ? Fuller . ? · HE SHAKES HIS HEAD TO CLEAR IT AND FEELING BETTER , RUNS HIS HAND OVER HIS FACE , FEELING THE WETNESS OF THE BLOOD . HE LOOKS AT HIS HAND AND DROPS IT TO HIS SIDE . HE ...
Page 87
... answer forgot to give the code word . What was it ? RUBS HAND OVER FOREHEAD . GETS IT : EDEN That's it ! Can't blame them for not answering · - they probably thought it was an enemy broadcast . • Now -- ( FILTER OFF . ) INTO MIKE : Col ...
... answer forgot to give the code word . What was it ? RUBS HAND OVER FOREHEAD . GETS IT : EDEN That's it ! Can't blame them for not answering · - they probably thought it was an enemy broadcast . • Now -- ( FILTER OFF . ) INTO MIKE : Col ...
Common terms and phrases
ability accept achieve acting action actor actual answer appearance asked audience AUDIO audition auditioner BACK BEGINS better broadcast camera career carefully casting casting director cause CEMENT character choose CLOSE complete concerned consider create definite DESK determine devices dialect dialogue director DISSOLVE DOOR easily effective Elizabeth emotion employed experience expression FACE FADE feel FLETCHER FLOOR follows HAND HEAD hear HENRY HOLD imagination immediate important improvisation interest interpretation interview keep knowledge LEFT light listen live LOOKS material means medium MIKE natural never OPEN pantomime pattern performance person PICKS picture play practice preparation production props radio reading reason rehearsal remember require result scene screen script SHOT sight sincerity situations SOUND speech stage station STEPS STOPS studio success TAKES talent television tell tion TURNS usually VIDEO VIEW viewer voice