Auditioning for TV: How to Prepare for Success as a Television Actor |
From inside the book
Results 1-3 of 14
Page 37
... pattern as far as you indulge your true - life rage , whereupon imagination takes over to complete the play ... patterns . One of the simplest , yet most effective means of achieving naturalness is by the use of improvisation in acting ...
... pattern as far as you indulge your true - life rage , whereupon imagination takes over to complete the play ... patterns . One of the simplest , yet most effective means of achieving naturalness is by the use of improvisation in acting ...
Page 38
... pattern . If the situation has never happened to you in real life , try the exercise with and without the prop , then try to determine which had greater sincerity of motion . After you have determined this point , be sure to perform all ...
... pattern . If the situation has never happened to you in real life , try the exercise with and without the prop , then try to determine which had greater sincerity of motion . After you have determined this point , be sure to perform all ...
Page 40
... pattern must be stimulated by emotion to make it sincere and natural ; each invention of your imagination must be ... patterns . After your practice sessions have become habit and this creative exploration reveals its worth , it is wise ...
... pattern must be stimulated by emotion to make it sincere and natural ; each invention of your imagination must be ... patterns . After your practice sessions have become habit and this creative exploration reveals its worth , it is wise ...
Common terms and phrases
ability accept achieve acting action actor actual answer appearance asked audience AUDIO audition auditioner BACK BEGINS better broadcast camera career carefully casting casting director cause CEMENT character choose CLOSE complete concerned consider create definite DESK determine devices dialect dialogue director DISSOLVE DOOR easily effective Elizabeth emotion employed experience expression FACE FADE feel FLETCHER FLOOR follows HAND HEAD hear HENRY HOLD imagination immediate important improvisation interest interpretation interview keep knowledge LEFT light listen live LOOKS material means medium MIKE natural never OPEN pantomime pattern performance person PICKS picture play practice preparation production props radio reading reason rehearsal remember require result scene screen script SHOT sight sincerity situations SOUND speech stage station STEPS STOPS studio success TAKES talent television tell tion TURNS usually VIDEO VIEW viewer voice