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THREE The Future of the Endowments
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achievement actors advocacy American theatre artist arts and humanities audience Ballet Beaumont believe Berman Biddle Broadway called Calvin Carter Center character classical commercial contemporary creative CREON criticism democratic director drama dramatist Duffey Duffey's English example fact federal film funds groups guilt H. L. Mencken humanistic Ibsen identify imagination institutions John Brademas Joseph Papp kind Lincoln Center living look Mencken ment Miller million Mondale movie Nancy Nancy Wickwire National Endowment never Norma obviously OEDIPUS Opera Papp Pell performing arts Peter play playwrights political popular President production question reason recent resident theatre responsibility seems Shakespeare Simon social stage Styron Susan T. S. Eliot talent television Tennessee Williams theatrical thing thought tion told trying turned voice W. B. Yeats W. C. Fields writing Yale Yale Repertory Theatre York York City Ballet