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afﬁrm Antonin Artaud Artaud become Cage called capacity Catholic celebration century Christ the harlequin Christianity church civilization clown comedy consciousness contemporary Corita Kent creative criticism dance death deﬁne dimensions dreams element eschatological eschatology essay existing experience fact world faith fascinating Feast of Fools festivity and fantasy ﬁeld ﬁgure ﬁnal ﬁnd ﬁrst ﬂesh ﬂower future Harvey Cox Herder holy human ideas images imagination important inﬂuence jester Johan Huizinga John Cage Josef Pieper juxtaposition liturgy live man’s means medieval militants Mircea Eliade modern Moltmann movement mystics myth Nathan Scott neomystics past Pieper play political fantasy possible prayer present problem radical theology reality rebirth recent religion religious ritual role says secular sense signiﬁcance social society spirit structure symbols T. S. Eliot theatre theologians theology of hope things tion today’s tradition utopian Virel vision W. H. Auden Western worship York