Noise Music: A History

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Bloomsbury Academic, Sep 1, 2007 - Music - 232 pages
19 Reviews



Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde.

While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.

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Review: Noise/Music: A History

User Review  - Jürgen De blonde - Goodreads

Interesting book. Interesting insights and statements on the relation between noise and music. Some passages were rather difficult for me but in the end the point he was making always became clear. A ... Read full review

Review: Noise/Music: A History

User Review  - Chris Bissonnette - Goodreads

Dense and a bit of a chore to read at times. Explores the depths of noise in number of genres. Read full review

Contents

Sound art
163
Discography
201
lndex
215
Copyright

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About the author (2007)

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, in Ireland. He is the author of Noise/Music (Continuum, 2007). He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime.

Bibliographic information