Noise Music: A History
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde.
What people are saying - Write a review
LibraryThing ReviewUser Review - librarianbryan - LibraryThing
Not perfect, but probably the best thing out there on the topic. I would prefer if the author would have stuck to either a purely theoretical-semiotic approach or a strickly formal analysis. It's a mixed bag with mixed results. It gets four stars because I'm in love with subject matter. Read full review
LibraryThing ReviewUser Review - bwdiederich - LibraryThing
Suffers from the dreaded "I HAVE A LOT OF COOL RECORDS" disease, as well as the "REFERENCE THEORY AND PHILOSOPHY WITHOUT DOING MUCH ELSE" disease. There's some good there, but Microbionics, while not doing the exact same thing, is far, far better. Read full review