Music in the Renaissance |
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Page 519
... instrumental music of the cinquecento than about that of the quattrocento . To be sure , technical information about the structure of musical instruments of the time comes mostly from German authors . And Spanish and German writers of ...
... instrumental music of the cinquecento than about that of the quattrocento . To be sure , technical information about the structure of musical instruments of the time comes mostly from German authors . And Spanish and German writers of ...
Page 546
... instrumental groups are portrayed in the paintings of Montagna , Luca Peni , 157 Tintoretto , 158 Gentile Bellini , 159 Gaudenzio Ferrari , 1 160 and others . Purely instrumental performances , as well as those of vocal and mixed ...
... instrumental groups are portrayed in the paintings of Montagna , Luca Peni , 157 Tintoretto , 158 Gentile Bellini , 159 Gaudenzio Ferrari , 1 160 and others . Purely instrumental performances , as well as those of vocal and mixed ...
Page 869
... instrumental form and thus contributed to the develop- ment of a specifically instrumental style , especially in the field of ensemble music , 268 Pieces entitled Miserere are likewise represented in the literature for in- strumental ...
... instrumental form and thus contributed to the develop- ment of a specifically instrumental style , especially in the field of ensemble music , 268 Pieces entitled Miserere are likewise represented in the literature for in- strumental ...
Contents
Composers mainly of Northern France in the Period | 34 |
Music of France and the Low Countries in the Period | 97 |
The Frottolists and their Contemporaries in Northern | 153 |
Copyright | |
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Common terms and phrases
Agnus appears bass became beginning called canon cantus firmus century changes chansons chant chordal church close collection complete composers compositions consists contains court Credo dance Dufay earlier early employed English evidence example facsimile figure five four French Further German given gives Gloria ibid imitation important indicated influence interest Italian Italy Josquin known Kyrie Lassus later Latin less lute madrigal Mass material melody mentioned Missa motet musicians notes opening organ original Palestrina pars passages performance period phrase pieces PirH plainsong played polyphonic popular present printed probably produced psalms published referred regarded represented respectively rhythmic sacred secular served setting shows singers singing sometimes songs sources style sung superius tenor third tion tune usually various verse voices writing written