Music in the Renaissance |
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Page 251
... plainsong is still paraphrased , but some of the countermelodies are changed . His handling of the old melody , therefore , differs from Dufay's ( cf. p . 83 ) . The setting is for six voices , two of which have free melody while the ...
... plainsong is still paraphrased , but some of the countermelodies are changed . His handling of the old melody , therefore , differs from Dufay's ( cf. p . 83 ) . The setting is for six voices , two of which have free melody while the ...
Page 363
... plainsong . While , at this time , alternation of plainsong and polyphony is more common than the type setting all verses polyphonically , the latter is not infrequent . Festa's Magnificats include examples of the alternating kind also ...
... plainsong . While , at this time , alternation of plainsong and polyphony is more common than the type setting all verses polyphonically , the latter is not infrequent . Festa's Magnificats include examples of the alternating kind also ...
Page 589
... plainsong and a free countermelody ; Kyrie I uses the two themes imitatively in pairs . The su- perius paraphrases the chant in the Gloria ( which includes the Marian tropes ) , and the other voices employ the same material in imitation ...
... plainsong and a free countermelody ; Kyrie I uses the two themes imitatively in pairs . The su- perius paraphrases the chant in the Gloria ( which includes the Marian tropes ) , and the other voices employ the same material in imitation ...
Contents
Composers mainly of Northern France in the Period | 34 |
Music of France and the Low Countries in the Period | 97 |
The Frottolists and their Contemporaries in Northern | 153 |
Copyright | |
15 other sections not shown
Common terms and phrases
16th century Agnus altus AmbG antiphon appears bass Benedictus Busnois ByrdW cadence canon cantus firmus cappella chansons chant Chapel choir chordal collection composers compositions contains contratenor court Credo dance Dufay Dufay's EinIM English example facsimile fauxbourdon four-part French frottola Further biographical data German Gloria HewO ibid imitation instrumental Italian Italy JödeC Josquin keyboard Kyrie L'Homme armé Lassus later Latin lieder lute madrigal maestro Magnificat MaldP MaldR Mass meas melismas melody Missa motet motif musicians notation notes Obrecht Ockeghem opening organ organist Palestrina PalW paraphrase parody parody Masses pars passages pieces pr PirH plainsong polyphonic printed ProsM psalms PubAPTM ReMMA Renaissance rhythmic rondeau Sanctus ScherG sections secular setting singers singing songs stanza style sung superius survives tablature tenor Tinctoris tion transcr tune verse vihuela villancico vocal voices Willaert words writing written