Bertolucci's The Last Emperor: Multiple Takes
Bruce H. Sklarew
Wayne State University Press, 1998 - Performing Arts - 272 pages
In this anthology, filmmakers, psychoanalysts, film scholars, and cultural historians use a psychoanalytic approach to examine Bernardo Bertolucci's epic film The Last Emperor (I988). Evolving out of a conference on Bertolucci's work,the essays interweave psychological, political, and cinematic themes in The Last Emperor as well as in much of Bertolucci's other works. This volume includes a foreword by Bernardo Bertolucci and is organized into four parts or "takes,"
including "Filmcraft," "Psychoanalysis," "Film Scholarship," and "Cultural History."
Although we can never fully know the real Aisingioro Pu Yi, Bertolucci used his vision of the intricate relationship between art, ideology, and the psychic experience to tell the story of one ordinary man's extraordinary life. Bertolucci's The Last Emperor hopes to illuminate this complex and often enigmatic creation as well as renew an excitement about the possibilities of interdisciplinary criticism in film studies.
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A Narrative of Psychological Rejuvenation
The Veil of Power
Bertoluccis Erotic Politics and
Solving Riddles and Concocting Riddles
The Stages of History
After The Revolution