The Stylistic Development of Keats |
Contents
THE APPRENTICESHIP I | 1 |
INTENSITY AND RESTRAINT | 43 |
AN UNCOMPLETED TRANSITION | 142 |
Copyright | |
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Common terms and phrases
abab adjectives Agnes Alexandrine altered appear Augustan beauty blank verse cęsura cęsural placing century close concluding couplet consonants devices diction double or triple Dryden early couplets early sonnets eighteenth eighteenth-century elegiac elidable trisyllabic Elizabethan employed Endymion Epistle to Mathew epithets Eve of St example Fairfax Fall of Hyperion feminine endings foot fourth syllable frequent Hunt Hunt's ibid influence initial inversion instances intensity inversion of accent inverted feet Isabella Keats's early Keats's verse Lamia Latinity less Letters Mary Tighe medial inversion metrical metrical variation Milton octave Ode to Psyche odes ottava rima Paradise Lost pattern peculiar pentameter perhaps Petrarchan phonetic poem poet poetical Poetry Pope prosodic prosodists pyrrhic feet quatrain revision rhyme-scheme rhymes run-on lines sestet Shakespearean sixth syllable Spenser Spenserian stanzas spondaic spondaic feet spondees stanzaic stress stress-failure structure stylistic synaeresis thee thou total number trisyllabic feet verb verse written versification vowels words writing wrote