Thornton Wilder and the Puritan Narrative Tradition
Thornton Wilder and the Puritan Narrative Tradition is the first reading of Wilder's life, fiction, drama, and criticism as a product of American culture. Early American studies by Sacvan Bercovitch, Mason Lowance Jr., Emory Elliott, and others have identified aspects of the American literary tradition stemming from New England Puritan writers of the seventeenth and eighteenth centuries. Lincoln Konkle extends the argument for continuity into both the twentieth century and the profane space of the theater. Konkle shows that Thornton Wilder, as a literary descendant of Edward Taylor, inherited the best of the Puritans' worldview and drew upon those attributes of the Puritan tradition within American literature that would strike a fundamental chord with his American audience. By providing close readings of Wilder's texts against seventeenth- and eighteenth-century Puritan culture and literature, Konkle demonstrates that Wilder's aesthetic was not just generically allegorical but also typically American and his religious sensibility was not just generally Christian, but specifically Calvinist. He alsoemphasizes aspects of Puritan theology, ideology, and aesthetics that have been suppressed or repressed into our cultural unconscious but are manifested in Wilder's texts in response to various historical or personal stimuli. Konkle makes an original contribution to Wilder scholarship by providing the first in-depth readings of the full-length play The Trumpet Shall Sound and of the film Shadow of a Doubt (as a major work of Wilder). Also included are readings of little-known and seldom-discussed dramatic pieces, including Proserpina and the Devil, And the Sea Shall Give Up Its Dead, and Our Century. With its emphasis on the continuities of thought and form found in American literature from the seventeenth century to the twentieth, this analysis of Wilder's drama and fiction will reclaim him as an intrinsically American writer, deserving to be read within the context of American literary and cultural traditions.
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Act Three aesthetic affirmative allegorical American culture American drama American jeremiad American literature American Puritan Antrobus Ashley audience belief Bercovitch Bridge of San Cabala Calvinistic Castronovo Catholic century characters Christ Christian church Covenant theology critics Day of Doom death Devil doctrine Dolly early Edward Albee Edward Taylor Eighth Day elect Emily England Puritan epic errand example George Gertrude Stein God's Determinations God's plot Goldstone Haberman Happy Journey Heaven's My Destination Hitchcock human John Judgment Day Kuner literal lives Long Christmas Dinner Magnus Matchmaker metaphor microcosmic narrator Pilgrim's Progress plays and novels Plays of Thornton playwright Prosperina providential Pullman Car Hiawatha Puritan narrative Puritan writers religious represent reprobate rhetoric San Luis Rey Satan says scholars sermon seventeenth-century Skin Soul speech spiritual Stage Manager Teeth Tennessee Williams theater theatrical theme Theophilus North Thornton Wilder tion Town Trumpet Shall Sound typology Uncle Charlie University Wilder's plays Williams's writes