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Spring 1995 Volume 39 Number
Fall 1995 Volume 39 Number
Catherine Nolan Structural Levels and TwelveTone
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3-5 trichords abstract accents of climax accentual weight algebraic analytic Anton Webern attribute function attribute interval authors bass bass-line beamed chapter chords Composition configuration connection context David Lewin definition diagonals discussion dominant dual durational dyad enharmonic example FB-classes foreground formal graph harmonic hexachord initial interpretation interval classes inversion Journal of Music leittonwechsel Lerdahl Lewin Lorenz major 3rds melodic meter metric middleground minor 3rds minor scale minor triad Models of Music motion motive Music Analysis Music Theory musical surface notation notes pairs passage PCINT-classes pcsets pentachord perception perfect 5th piece pitch pitch-class pitch-class sets projections prolongation psets registral relations rhythmic Riemann row forms scale Schenker Schenkerian analysis Schenkerian theory Schoenberg segments semitones serial set class Stravinsky subdominant symmetry temporal tetrachord theorem timepoint tion tonal music tone tonic transformations transposition twelve-tone Webern's Z-related