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Composition and Research
Christoph Lischka HansWerner Gusgen
35 other sections not shown
acoustic additive synthesis algorithm allows amplitude analysis applications beam bojj CCRMA chromatic scale complex composer composition Computer Music Journal Connecticut College defined described display duration editing environment errant syncretizer example Figure filters frequency frequency modulation function graphic implemented input instruments interactive interval IRCAM jasn aq jitter keyboard language LISP Macintosh manipulation microtonal MIDI MIDI data mode modulation music notation musicians mynote note-off objects operations output parameters percussion instruments performance phrase pitch play possible problem processor real-time representation result reverberation sample scale scheduler score semantic sequence sieve signal simulation sound spatial specific studio syncretizer synthesis techniques tempo timbre tion user interface variables voice waveform WYSIWYG