The Open Studio: Essays on Art and Aesthetics
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art.
Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics.
The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
What people are saying - Write a review
We haven't found any reviews in the usual places.
CHAPTER 1 To Take a Change
CHAPTER 2 On the Art of the Future
In Medias Res
CHAPTER 4 HansPeter Feldmann
CHAPTER 5 William Kentridge
Paintings and Objects
CHAPTER 7 Tacita Dean
CHAPTER 8 The Eidos in the Hand
CHAPTER 13 On the Threshold of the Visible
CHAPTER 14 Organic Form and Perfaction in Painting
Notes on the Work of Anne and Patrick Poirier
CHAPTER 16 Death and Life in the Order in the Works of Charles Willson Peale
CHAPTER 17 Explosion at San Giovanni in Laterano Summer 1993
CHAPTER 18 Musical Box
CHAPTER 19 Ann Hamilton
Aide MemoireHirshhorn Museum and Sculpture Garden Washington DC Thanksgiving 1987
Other editions - View all
abstract expressionism abstraction aesthetic allusion animation artist artworks body Cambridge Charles Willson Peale clouds collection color critique culture death deﬁned display drawing emphasizes essay ethics evoke exhibition experience face face-to-face ﬁeld ﬁgure ﬁlm ﬁnal ﬁnd ﬁnished ﬁnite Finlay’s ﬁrst ﬁxed ﬂat ﬂoor ﬂower frame Gallery garden gesture hair human Ian Hamilton Finlay images individual inﬁnite inscription installations Kentridge Kentridge’s labor landscape light linked Little Sparta look Madeline Gins material means Medias Res memory miniature Modern monumental moving museum musical box nature nocturne objects organic painter particular Peale’s person perspective picture pieces play portrait portrait miniature Poussin printmaking reﬂect relation representation scene Schütte sculpture sense signiﬁcance single-point perspective space speciﬁc sublime surface Tacita Dean taxonomy and communion temporal theme things Thomas Schütte thought tion trans transformation tropos ture turn University Press viewer Vija Celmins visual William Kentridge wrote York