The Economics of Symbolic Exchange

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Springer Science & Business Media, Oct 6, 2008 - Business & Economics - 503 pages
3 Reviews
Alexander Dolgin’s Economics of Symbolic Exchange is in reality not one but three books, and although these semantic layers are interlinked, the reader will need to choose between the different vectors and modalities. One clearly evident dimension is research. Certain authors introduce quite new intellectual approaches into scienti?c debate. This requires a special frame of mind and a searching curiosity about social reality. Carl Gustav Jung identi?ed a p- nomenon which he called systematic blindness: when a science reaches a stage of maturity and equilibrium, it categorically refuses, from a sense of self-preservation, to note certain facts and phenomena which it ?nds inconvenient. In Alexander D- gin’s book whole complexes of such “non-canonical” material are to be found. Here are just a few examples: ?le exchange networks, through which digital works of art are spread through the Internet; bargain sales of fashionable clothing; the paradox of equal pricing of cultural goods of varying quality; and a discussion of whether - tronage or business has the more productive in?uence on creativity. Obviously, not all the issues Volginraises are totally new, but brought togetherand examinedwithin an elegant logical framework of informational economics, they pose a challenge to scienti?c thinking. Such challenges are by no means immediately or, in some cases, ever acclaimed bythescienti?cestablishment. J. K. Galbraith,forexample,agreatAmericaneco- mist, whose works are read throughout the world, who introduced a whole range of crucially important concepts, the director of John F.
 

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Contents

A Promising Model for the Music Business
11
Adverse Selection in the Culture Industries
68
The Economic Logic of Creative Reputations
145
The Concept of Cultural Welfare
251
Conclusion
323
The Marketing of Music Recordings
327
Lawsuits Against Peering Networks
453
Types of Free Licenses
464
The Theatron and Cinema Projects1
471
Copyright

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About the author (2008)

Alexander Dolgin is Professor and head of the Chair of Economics of Culture at the State University - Higher School of Economics, Moscow. He has published two books and over one hundred research papers and popular articles. The main focus of his research interests is the institutional economics of culture, which covers diverse topics such as the deteriorating cultural selection processes, the economics of creative reputations, the theory of the welfare of culture, the economics of the copyright and many others.

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