Indian Music: History and Structure |
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Common terms and phrases
according ancient Indian anupallavi Baroda basic scales beats bhairavi Bombay Calcutta called cents century changed chapter classical Compare composed composition consisting containing cycle cyuta dance described developed dhin dhrupad dhruva edited equivalents example famous final four fourth fret grāma hand Hathras Hindustāni historical important Indian music indicate intervals introduced Karņāțak Khān khyāl known later lower Madras means mela melody mentioned middle musicians musicologists names Nāțyaśāstra North notes octave original pallavi particular patterns performed phrases playing present probably rāga Rāmāmātya's rasa ratio referred religious represented respectively rhythm rhythmic SambSIM Sanskrit ŚārnSR seven seventeenth century singing sixteenth century songs South Indian śrutis starting strings structure Study style śuddha sung svara syllables tāla temperament term theme tivratara tone tradition treatises units variations variety viņā
Bibliographic information
| Title | Indian Music: History and Structure 2], [Handbuch der Orientalistik, ISSN 0169-9377 H.der O |
| Author | Emmie Te Nijenhuis |
| Publisher | BRILL, 1974 |
| ISBN | 9004039783, 9789004039780 |
| Length | 142 pages |
| Export Citation | BiBTeX EndNote RefMan |