William Eggleston, for Now

Front Cover
Twin Palms, 2010 - Photography - 88 pages
5 Reviews
For Now is the result of film-maker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising. Afterword by Michael Almereyda, with additional texts by Lloyd Fonvielle, Greil Marcus, Kristine McKenna and Amy Taubin.

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Review: For Now

User Review  - Goodreads

4 1/2 stars. A selection of previously unseen photos from the archives. The early images are as good as anything Eggleston ever released, though the later ones tend to overly emphasis portraits of key ... Read full review

Review: For Now

User Review  - Goodreads

I purchased this because it was so beautiful. I want to own all of his books. The images make me nostalgic for a time I didn't live in. They are hard to look away from. I chose this because there were ... Read full review

About the author (2010)

William Eggleston was born in 1937 in Memphis, Tennessee. He took his first black-and-white photographs at age 18 and soon became serious about photography, though he never studied it formally. His first color work was shot in 1964 in color negative film, but in the late 60s he began to use color slides; it was some of those slides that he brought with him to New York in 1967, when he met Diane Arbus, Lee Friedlander, Garry Winogrand, and John Szarkowski. It was Szarkowski who curated Eggleston's landmark 1976 solo exhibition at The Museum of Modern Art, New York--a breakthrough in the perception of color photography as a serious form of fine art. The recipient of the 1998 Hasselblad Award, Eggleston's work was most recently seen in Documenta11 and in a major retrospective at the Fondation Cartier in Paris.

Michael Almereyda & ’ s films include Nadja , Hamlet , William Eggleston in the Real World , and New Orleans Mon Amour . His writing has appeared in The New York Times , Artforum , The Believer , and Film Comment .

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