The Cambridge Companion to Children's LiteratureM. O. Grenby, Matthew Orville Grenby, Andrea Immel Some of the most innovative and spell-binding literature has been written for young people, but only recently has academic study embraced its range and complexity. This Companion offers a state-of-the-subject survey of English-language children's literature from the seventeenth century to the present. With discussions ranging from eighteenth-century moral tales to modern fantasies by J. K. Rowling and Philip Pullman, the Companion illuminates acknowledged classics and many more neglected works. Its unique structure means that equal consideration can be given to both texts and contexts. Some chapters analyse key themes and major genres, including humour, poetry, school stories, and picture books. Others explore the sociological dimensions of children's literature and the impact of publishing practices. Written by leading scholars from around the world, this Companion will be essential reading for all students and scholars of children's literature, offering original readings and new research that reflects the latest developments in the field. |
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Contents
The origins of childrens literature | 3 |
Childrens books and constructions of childhood | 19 |
The making of childrens books | 35 |
Picturebook worlds and ways of seeing | 55 |
The fear of poetry | 76 |
Retelling Stories across time and cultures | 91 |
Classics and canons | 108 |
Gender roles in childrens fiction | 143 |
IO Childrens texts and the grownup reader | 159 |
Other editions - View all
The Cambridge Companion to Children's Literature M. O. Grenby,Andrea Immel No preview available - 2009 |
Common terms and phrases
adult and child adventure alphabet American animals anthologies appear Arrietty audience Beatrix Potter book’s C. S. Lewis canon child characters child readers childhood children’s books children’s literature children’s poetry classic status colour comic conflict construct contemporary critical cultural define definition difficult early Edgeworth edited eighteenth century English example Fables fairy fantasy fiction fig figure film final find first gender genre girls Gulliver’s Travels Harry Potter humour identified illustrations influence influential instruction John Kipling’s language literary Little Women lives Locke’s London Mary Maurice Sendak modern moral mother narrative narrator nineteenth century Norton novel Orbis Pictus paper parents perspective Peter Rabbit picture books pleasure poems popular printed published recognise reflect retelling role Rumpelstiltskin Sarah Trimmer school stories Sendak significant social specific tale texts Thomas Thomas Boreman tion traditional twentieth century verse Victorian visual Wild Things women words writing York