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Hindu Thought in Indian Music
The Cosmology of Indian Music
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Akbar alap artist asthai audience avroha bandish basic blending century civilisation clap colour concert contain course culture Delhi delight dhin distinct Dr Fabri echoes emotion existence fact flat four gamak ganas gharanas guru Hindu view Indian music Indian musician instance instrument instrumentalist jati jhala Khan Sahib kitchree komal laghu listen madhya laya madhya saptak mandra saptak manifest matras meaning measure meend melodic Menuhin metre mind movement music of India musicologists nine nirakara notes octave one's Pandit performer perhaps phenomena phrases pulse beat pure experience purity purvang raga recognise rhythm SA-grdm sakara sampurna samvadi scale Shadav shuddha silence singer singing sitar song sound srutis strings sung or played svara syllables tabalia tala Tansen tempo theme thing thinkers tivra tradition tuned understand unit unity universe unmanifest Ustad uttarang Vadi svara varnas Veda vilambit Vilayat Khan Western music Yaman Yehudi Menuhin zero