Greek Tragedy on the Move: The Birth of a Panhellenic Art Form C.500-300 BC

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Oxford University Press, 2017 - Literary Collections - 261 pages
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Greek tragedy is one of the most important cultural legacies of the classical world, with a rich and varied history and reception, yet it appears to have its roots in a very particular place and time. The authors of the surviving works of Greek tragic drama-Aeschylus, Sophocles, and Euripides-were all from one city, Athens, and all lived in the fifth century BC; unsurprisingly, it has often been supposed that tragic drama was inherently linked in some way to fifth-century Athens and its democracy. Why then do we refer to tragedy as 'Greek', rather than 'Attic' or 'Athenian', as some scholars have argued?

This volume argues that the story of tragedy's development and dissemination is inherently one of travel and that tragedy grew out of, and became part of, a common Greek culture, rather than being explicitly Athenian. Although Athens was a major panhellenic centre, by the fifth century a well-established network of festivals and patrons had grown up to encompass Greek cities and sanctuaries from Sicily to Asia Minor and from North Africa to the Black Sea. The movement of professional poets, actors, and audience members along this circuit allowed for the exchange of poetry in general and tragedy in particular, which came to be performed all over the Greek world and was therefore a panhellenic phenomenon even from the time of the earliest performances. The stories that were dramatized were themselves tales of travel-the epic journeys of heroes such as Heracles, Jason, or Orestes- and the works of the tragedians not only demonstrated how the various peoples of Greece were connected through the wanderings of their ancestors, but also how these connections could be sustained by travelling poets and their acts of retelling.

 

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Contents

Introduction
1
The Background I Travelling Heroes and Panhellenic Tragedy
19
The Background II Wandering Poets Panhellenic Networks and Professionalism
33
Tragedy in Attica c500300 bc
65
Tragedy outside Attica c500450 bc
93
Tragedy outside Attica c450400 bc
117
Tragedy outside Attica c400300 bc
161
Conclusion
195
Appendices
199
Bibliography
227
Index
255
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About the author (2017)


Edmund Stewart, Teaching Fellow in Greek Literature and Culture, University of Warwick

Edmund Stewart is Teaching Fellow in Greek Literature and Culture at the University of Warwick, having previously taught Classical Languages and Literature at the universities of Nottingham and Leeds. His research interests focus on the dissemination of Greek tragedy, Greek poetry, and ancient professionalism and he is currently working on an edited volume on the ancient labour market in Greece and Rome.

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