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The Nature of Imagination
UOn the Science of Criticism
iXDn Style and the Imitation of Models
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abstract actor admiration Aeschylus Alfieri amusement ancient artist audience beauty become believe Calder6n called character Charlotte Bronte classic critic delight Dickens distinct drama dramatist Edmund Kean effect emotions English error Euripides experience expression exquisite fact Faust feeling French G. H. Lewes genius George George Eliot George Henry Lewes George Sand German Goethe Greek Herman Melville Homer human Idea ideal imagery images imagination imitation impress intellectual interest Italian Kean language literary Literature means mind modern moral nation nature never novel objects observe Othello paint painter passion peculiar philosophic picture play poem poet poetical poetry present principles produced prosaic prose qualities Racine reader realism reality relations religion Renan represent Review scene Schlegel seen sense Shakespeare Shelley Shylock Sophocles soul Spanish speak spirit story style sympathy tendency theatre theory things thoughts tion true truth unapparent utter verse vivid Westminster Review words Wordsworth writers