Embodied Modernities: Corporeality, Representation, and Chinese Cultures
Fran Martin, Larissa Heinrich
University of Hawaiʻi Press, Jan 1, 2006 - History - 290 pages
By facilitating fresh dialogue between fields as diverse as the history of science, literary studies, diaspora studies, cultural anthropology, and contemporary Chinese film and cultural studies, Embodied Modernities addresses contemporary Chinese embodiments as they are represented textually and as part of everyday life practices.
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Cuncun Wu and Mark Stevenson
Rewriting Sexual Ideals in Yesou puyan
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abridged actors argue bathhouse Beijing Bruce Lee chapter characters China Chinese body Chinese Masculinity Chinese modernity cinema clothing Confucian context COSplay cross-dressed demolition diasporic discourse discussion Dragon early elite embodied essay ethnic female feminine feminism feminist fetish fiction film Fist of Fury footbinding gender and sexuality global hair homoerotic homosexuality Hong Kong Hu Shi Huang human Ibid identity Jiang Jiaolong Lee's lesbian literary Liu's male body martial arts Mei Lanfang Mei's modern Chinese Mood for Love narrative nese novel Old Liu organic Peking opera performance persona physical Pili po-te-hi political popular puppets Qing Qing dynasty Qiu's representations Republican role ruins scene siyu social spectral story style Suchen T/po Taiwan Taiwanese theater tion traditional transformation twentieth century urban Wang Wang Dulu Wang's western woman women Wong Wong Kar-wai Wu Yi Yesou puyan Yi's YSPY Zhang Zhou Zhu Ming Zhu Yu