The Age of Pirandello, Issue 25 |
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Page 50
... Signora Rosa ( 1928 ) , which most critics recognize as the best play Lopez wrote . Parodi e C is essentially a portrait gallery of Genoese types , Parodi being a bourru bienfaisant with a heart of gold be- neath a rough exterior . He ...
... Signora Rosa ( 1928 ) , which most critics recognize as the best play Lopez wrote . Parodi e C is essentially a portrait gallery of Genoese types , Parodi being a bourru bienfaisant with a heart of gold be- neath a rough exterior . He ...
Page 190
... Signora Pinella comes to see him ; unassumingly dressed , talking modestly , she is virtue per- sonified . Her husband , a seagoing captain who comes home only occasionally , despises his wife and dislikes their son . Paolino , the ...
... Signora Pinella comes to see him ; unassumingly dressed , talking modestly , she is virtue per- sonified . Her husband , a seagoing captain who comes home only occasionally , despises his wife and dislikes their son . Paolino , the ...
Page 338
... Signora Morli , una e due , La ( see Due in una ) Signora Rosa , La , 46 , 50 Signorine , 123 Sillani , Tommaso , 88 Simoni , Renato , 59 , 74 , 110 , 117-118 Simoun , Le , 37 Simultaneità , 136 Simultanina , 136 Sior Tita paron , 119 ...
... Signora Morli , una e due , La ( see Due in una ) Signora Rosa , La , 46 , 50 Signorine , 123 Sillani , Tommaso , 88 Simoni , Renato , 59 , 74 , 110 , 117-118 Simoun , Le , 37 Simultaneità , 136 Simultanina , 136 Sior Tita paron , 119 ...
Contents
Prelude | 3 |
The Decline of the Realistic Tradition | 14 |
The Bourgeois Tradition | 41 |
Copyright | |
6 other sections not shown
Common terms and phrases
able actors appear artistic attempt become bourgeois calls century characters child comedy comes completely continued create critics D'Amico D'Annunzio death dialect drama dramatists effect emotional existence expression fact father feels figure finally followed force French girl give historical human husband idea ideal important interesting Italian Italy kind living lover Luigi marry means Milan moral mother nature never novels passion perhaps personality philosophical Pirandello plays plot point of view popular present problems produced remains returns Rome Rosso scene seems sense short shows situation social stage story success suffering takes Teatro theatre theatrical theme things tion tradition tragedy true turn verse wants wife woman women writing written wrote young