Color: a course in mastering the art of mixing colorsThis guide distills the enormous existing knowledge about color theory into a practical method of working with color to produce harmonious combinations. Using techniques tested and honed in her five-day intensive color workshops, Edwards provides a basic understanding of how to see color, how to use it, and - for those involved in art, painting, or design - how to mix and combine hues. Including more than 125 color images and exercises that move from simple to challenging, this volume explains how to - see what is really there rather than what you 'know' in your mind about colored objects; perceive how light affects color, and how colors affect one another; manipulate hue, value, and intensity of color and transform colors into their opposites; balance color in still-life, landscape, figure, and portrait painting; understand the psychology of color; and harmonize color in your surroundings. |
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LibraryThing Review
User Review - jmorreau - LibraryThingA follow up to Edwards ' must -read book "Drawing on the Right Side of the Brain." Edwards continues her theme of first draw, then learn color, and finally, paint. In her previous book Edwards details ... Read full review
Betty Edwards Color also
User Review - lizreview - Overstock.comThis book is a definite mustread for any artists who use paintbrushes and paint! She gives historical musings on color and the nature of color and how we perceive color that is invaluable for artists ... Read full review
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acrylic after-image alizarin crimson Analogous colors artist attributes of color basic beautiful blue-green brain brush cadmium orange cadmium red cadmium yellow chapter cobalt violet color arrangement color constancy color theory color wheel hues complement complementary colors darker drawing edge example exercise fabric Figure flower Georges Seurat gray scale hue scanner illustration board intensity level intensity wheel Johann Goethe Johannes Itten lighten look match meaning ments mix colors mixture name the hue Newton o'clock object oil on canvas opposite values original colors original hues painter palette paper pencil perceive perception permanent green pigments plastic practice primary colors pure color pure hue purple R-mode red-orange red-violet Scan secondary colors setup shadow simultaneous contrast source hue steps symbolic tape tertiary colors three attributes three primaries ultramarine blue value and intensity value wheel Vincent van Gogh visual vocabulary of color wavelengths yellow-green yellow-orange