One Time, One Place: Mississippi in the Depression : a Snapshot Album

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Univ. Press of Mississippi, 1996 - History - 115 pages
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Eudora Welty is among the very few authors who are acclaimed for their work in both literature and photography. It was twenty-five years ago that she surprised her readers with this important book, for in One Time, One Place many of them discerned for the first time that this revered writer was also a gifted photographer.
Throughout her writing career Welty's camera was a close companion. The one hundred pictures included here are her selections from many she took during the Great Depression as she traveled in her home state of Mississippi.
These pictures are poignant images of human endurance. For her, looking back in 1971, they showed a record of a time and a place, an impoverished world that against great odds sustained a sense of community. Both black and white, the men, women, and children she photographed, unaware that they are coping with dire conditions, press onward with their lives. "The Depression, in fact," Welty says in her introduction, "was not a noticeable phenomenon in the poorest state in the Union."
In the foreword to this Silver Anniversary Edition of One Time, One Place William Maxwell, Eudora Welty's dear friend and esteemed colleague in literature, offers an appreciation of this photographer's special genius and a loving glimpse into her artistic world.
 

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About the author (1996)

Eudora Welty, April 13, 1909 - July 23, 2001 One of the most admired American writers, Eudora Welty has steadily gone on writing short stories and novels that are entirely original, sometimes melodramatic, occasionally fantastic, and often concerned with psychological aberration. She has a fine ear for dialogue and a sense of style that elevates her fiction above the ordinary. Born in Jackson, Mississippi, she attended the Mississippi State College for Women before going north to the University of Wisconsin and Columbia University. She worked for a while in advertising, then returned to Jackson to take a government publicity job. She has remained in Jackson since then, living quietly with her family and pursuing a literary career that has brought her several awards and much critical attention. Some of her better-known short stories, frequently anthologized and thus widely taught and studied in classrooms, are "Why I Live at the P.O.," "Death of a Traveling Salesman," "Petrified Man," and "A Worn Path." Although Welty's critical reputation remains largely dependent upon her excellent short stories, she has also written four full-length novels, which have been well received. Delta Wedding (1946) is a densely plotted novel with many characters told from multiple points of view. It explores with intelligence and subtlety problems of domestic relationships and the mixing of social classes. The Ponder Heart (1954), a more simply told story, centers on the murder trial of a man unjustly accused of killing his young wife. With Losing Battles (1970), Welty deals again with the complexities of a large family gathering. The Optimist's Daughter (1972) is the story of tangled relationships between a 71-year-old judge undergoing a critical eye operation in a New Orleans hospital, his daughter, a withdrawn widow summoned from Chicago, and the judge's second wife of "coarse breeding," younger than his daughter. Gradually, this subtle story of father-daughter and husband-wives begins to reverberate with further complications. Howard Moss called the book "a miracle of compression. . . . The best book Eudora Welty has ever written" (N.Y. Times). One Writer's Beginnings (1984), an engaging volume of reminiscences originally given as lectures at Harvard University, had the unusual distinction (for a serious work of literary nonfiction published by a university press) of climbing high on the bestseller lists during 1984. Her other nonfiction includes One Time, One Place: Mississippi in the Depression (1972), A Snapshot Album (1971), and The Eye of the Storm: Selected Essays and Reviews (1977). Welty will perhaps be best remembered for her highly eclectic and original voice, her brilliant style and revealing dialogue, her humane celebration of characters, and her visionary outlook and playful exuberance.

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